How did Tchaikovsky raise ballet music to a new level?
Why did the 13 Russian artists known as the Travelers show their paintings across the country instead of in an urban gallery?
As stated in the chapter’s “Continuity and Change” section, why were nineteenth-century Americans so attracted to French culture?
Why did Camille Pissaro paint Red Roofs with the complementary colors red and green and orange and blue set side by side?
Why can Renoir’s Luncheon of the Boating Party be viewed as a response to Émile Zola’s challenge for the Impressionists to create more complex paintings?